The Legend of Zelda: Breath of the Wild (NS/WiiU)
Farsendor last edited by
Selfish and a me thing but I want character driven/fantasy stories with voice over dialogue. This is my problem I completely admit that and so is the pro controller. Personally I can't bring myself to play with a non traditional controller.
I don't play smart phone games/ handhelds/ VR or anything unless i'm using a traditional controller. It is a me thing and not a them thing.
@Farsendor Breath has voice acting to an unknown extent.
You actually have a point with the pro controller thing, though I'd wager you don't know it yet. GaijinHunter posted a Switch event video that discussed the joy con dock controller (whatever the name was). Apparently one's hand rests on the plastic frame and not the joy cons themselves, which diminishes the rumble feature. The pro controller / holding the Switch / joy cons in hand likely lets you feel the rumbling component more directly.
Haru17 last edited by Haru17
FF7Cloud last edited by
so is breath of the wild a direct sequel to ocarina of time in the fallen hero timeline?
Doctor Professor last edited by
@FF7Cloud I was under the impression that BotW takes place some time after WW, as we've seen Koroks and what appears to be a Rito
FF7Cloud last edited by
@Doctor-Professor it very well could i just got a feeling that this is the same link from ocarnina of time who lost to ganon and woke up 100 years later becasue the voice in the trailer said "do you remember what happend 100 years ago?"
B-Cell last edited by
Zelda like Mario is one of the most milked franchise in gaming. Nintendo are only rely on nostalgia so they are rehashing same series since 80s.
Doctor Professor last edited by
@FF7Cloud Ya, I can see that. But I can't think of any other reason for there to be Koroks and Rito, whereas I can imagine there being another situation in which that line would be applicable. However, if it is in the WW timeline, it also raises the question of why they're in Hyrule rather than the new continent.
tokeeffe9 last edited by
@Black-Cell Mario is generally one of the most innovative franchises out there so this really is a null point.
I'll give you that Zelda generally sticks to what it knows but it's had some pretty significant changes over the years and BotW looks like another one of those.
Neither franchise feels stale to me.
@Black-Cell Are you saying that in response to the latest trailer, or just generally? What's bugging you?
I think the 3D Zelda / Mario games are always new in many respects. Even Skyward Sword couldn't have been accused of being stagnant.
Drifter last edited by
For HUBER!, Rupee has revealed it's self.
Source is from polygon gameplay. https://www.youtube.com/watch?v=310PF8ctRTM
@Drifter Yeah, I saw that as well. I'm not sure if it counts not being in the conference itself, but who can say. I'm regretting not sticking to my gut for the conference itself and betting zero rupees.
In any case, it looked like it came from the metal crates Link blew up, not the bokoblin themselves. I like how rare money looks to be.
Mbun last edited by
@Black-Cell It's a weird time to say something like that when this entry is shaking up the usual formula so much more than most entries. Hell, I wouldn't even say that about Zelda in general considering all the weird places it has gone. Skyward Sword was motion control swordfighting. Twilight Princess you turned into a wolf with an imp riding you. Windwaker you were sailing. Majora's Mask you had a time limit and tons of masks. All that is much more change than usual franchise iterations.
~ murmurmurmur and I honestly really hope Zelda keeps the traditional dungeon format of getting an item and using it in different ways throughout that set of puzzles murmurmurmur ~
And keep in mind there is a 0% chance that cryonis, stasis, magnesis, bombs, fire, and the paraglider are all of Breath of the Wild's puzzle tools. I can't wait for the new runes / items from shrines, and whatever else cryonis is supposed to do.
Ivanhoe last edited by
I really want this game to be good. I have slight criticism from the videos I've seen that the world seems to me too much like "put together". You can sense how the designer wanted to put this tree here and this tree there instead of a world that has been shaped slowly and randomly in million years. It isn't big thing and maybe that is just the Zelda aesthetic and may not matter at all at the end but that was the feeling I got from the trailers.
Axel last edited by
@Black-Cell Do you ever post a constructive message on these forums? All you ever say is how every major series is overrated and crap, apart from System Shock and Deus Ex or something. And of course you never justify any of your claims. It's getting really, really old.
Bigdude1 last edited by
@Doctor-Professor but they didn't find a continent til spirit tracks
Bigdude1 last edited by Bigdude1
@Farsendor skyward sword was still very character/story driven without the voiced dialog. the fact that this has it should be icing on the cake for you. it just seems like you want another witcher
Billy last edited by
@Ivanhoe I guess it's difficult to strike that balance. You want a game's aesthetic and world to feel natural and organic, but at the same time you need intention and a guiding hand in crafting the world. I generally prefer very intentional game design as opposed to the randomization seen in procedurally generated content. It allows for set-piece moments and hidden secrets and better enemy encounters, but you have to be careful to avoid too much of an artificial feel and "video-gaminess" in your levels.
A E S T H E T I C
Lol, anyway @Ivanhoe, I have very different thoughts about the level design and agree more with @Billy's sentiment. There has never been a video game where I couldn't see the seams — certainly not one where the world appeared to be formed naturally by geological and evolutionary forces, haha.
Traditional 3D Zelda games' puzzles make me feel like they are each special, sacred things. Each item has a weight and permanence to it, and they interact with the world in a litany of specific, planned ways. I really value this feeling of attuning with and appreciating level design, and get it with very few other games (basically just Bethesda games since Skyrim).
Breath of the Wild is undoubtably (if you know the difference between 'edly' and 'ably,' you may be able to find the same joke I see this thread today) very different. It's world, like many other open worlds, is large and has a lot less thought put into every parcel of land.
Instead of, for instance, a tree falling over a defined gap in a traditional Zelda, not trees can be chopped down from any angle. Even when you chop a tree down at the right gap, it's up to the game's physics engine and your specific inputs to determine whether the tree falls across the gap or not.
Though pretty well against 'going open world' by now, I'm very open minded when it comes to games earnestly trying something new. Especially when Breath is doing cool things with the
deku leafparaglider and fire spreading systems. I just hope these new type of 'dynamic' puzzles can compare to the older variety in terms of quality, not just quantity or 'replayability.'
I am very heartened by the circle of stones atop Mount Hylia — a very smart puzzle that Damiani ran past in his video. Suffice it to say, I think I have the answer already, and it calls upon knowledge from Ocarina of Time in an interesting but not exclusive way.
The guardian mini(?)-boss fights are the other thing that gives me confidence in Breath's ability to be a new type of 3D Zelda of the same quality. To be as brief as possible, the guardians crawl across the land very fast, rendering Link a sitting duck on foot. Once on horseback, he can evade the guardian's laser blasts with proper movement, but only just by an inch (ala Inside). The guardian's laser blasts create fires and updrafts as they strike grass, creating dynamic weak points for Link to leap from his horse to, ride up on his paraglider, and utilize the window provided by his stamina bar to land a slow mo arrow shot on the guardian's eye (see: Zelda boss tropes 101). Striking the eye with an arrow (or the hull with a sufficient force such as a bomb arrow) of course briefly shuts down the construct, giving Link enough time to remount or aim another stunning shot.
It's this kind of exemplar balance that I've come to expect from a Zelda game, and am very heartened that Breath has so far nailed in a completely new format with less controls.