Last movie you watched



  • @faaip

    I don't know about the movie but maybe you can try it like a mini-series. 1 hour per day maybe?



  • @ringedwithtile Yeah man I'm definitely gonna give it another try.. I've been looking forward to it for awhile

    @Scotty I was actually thinking that haha. At least do it in two sessions



  • @ezekiel said in Last movie you watched:

    What I've watched since I last posted:

    4/4
    Shadows of Forgotten Ancestors - 1965, Soviet Union, Sergei Parajanov, DVD, 6/10

    Cool to find someone else who's seen this! ^_^

    I wouldn't call it a great film, but I like seeing these kind of down-to-earth, slices of old Slavic life. I recommend, in kind of a similar vein, Quiet Flows The Don (1957).



  • Lu Over the Wall
    Premise: a depressed middle schooler's life changes when he meets a mermaid that helps him reconnect with the world through their shared love of music. While the plot is simple and suffers from some scattershot storytelling, there's a surprising amount of thematic depth that, paired with Yuasa's signature animation style, makes this absolutely worth the watch. This movie would actually make a great double-feature with Yuasa's version of Devilman Crybaby. Lots of similar themes, especially in regards to how quickly humanity gives in to judgment and prejudice, but whereas Devilman is nihilistic and bleak, Lu focuses instead on the beauty in tearing down those walls, and the joy that comes with it. I'm always hesitant when movies/shows harp on the "Power of Music" because I rarely think that the music is of high enough quality to warrant such a message (highly subjective, of course, but I think shows like Carole and Tuesday fall hard into this trap). That said, this movie sidesteps that issue by focusing not on the importance of "One Song to Save the World," but rather the basic humanity and emotion that comes with the art form. Does it teeter into the realm of sentimentality? Absolutely, but it works because the emotion behind it is pure and beautiful. Either that or I'm just a sucker. B+



  • Today I watched Chunking Express, and damn I liked it a lot. I had previously seen In the Mood for Love, which is also by Wong Kar-wai, and while I liked it quite a bit I didn't connect with it like most people had. This one though, I think I'm gonna be returning to this one on rainy days because of how meaningful it is to me. It is gorgeously shot and surprisingly optimistic, and Tony Leung is without a doubt one of the best actors of his generation.
    5 Stars.

    P.S. follow me on Letterboxd https://letterboxd.com/aidanvilchis/



  • @capnbobamous It really is such a beautiful movie. :)



  • The classic Quentin Tarantino Presents intro and outro to Chungking Express
    Youtube Video



  • @tokyoslim Whoa thanks for pointing this out to me. I knew Tarantino was the reason it got such an audience in America, but it's cool seeing him so passionate about it.



  • @capnbobamous Yeah, we talked about how many films QT/Rolling Thunder released in the US during the Reaction Shots a few months ago and Ian reminded me about these intros.

    I think that it's hilarious that Tarantino's camera is slowly rotating back and forth between these extreme Dutch Angles. What a nerd. lol



  • @tokyoslim I also found it very funny that he decided to wear a jacket after the intro when presumably they filmed both parts at the same time.



  • @capnbobamous I will tell you right now that nobody on earth is more sensitive to a slight downward temperature change than a Southern Californian.



  • @tokyoslim Oh believe me, I know. It's like 70 degrees right now and I'm wearing a parka.



  • Come and See

    I have no words. I could not feel my body. When I came out my throat was dry and my eyes hurt. I wasn't swallowing and I barely blinked. I truly don't know what else to say. No film has done this to me before.

    5 stars.

    Edit: I have been thinking about this film for the past day, and honestly I think it may be the greatest film ever created. I would never call it my favorite, and frankly I don't know if I have it in me to watch it again, but I think it is perfect. The barrier between screen and viewer is non-existent. You are there. You are witnessing this. You are experiencing this. After viewing-- nay, living this masterpiece, I don't know if I will ever be the same again. To witness the cruelty of human nature so closely is terrifying. I don't know that it could be considered a horror film, but I guarantee you no film is scarier.



  • The Lovebirds
    A movie so aggressively Fine that I've already forgotten half of it despite having finished it about an hour ago. Nanjiani and Rae are both likable actors with great comic timing, but they're not given much to do here other than bicker and shout. I wasn't invested or even entertained really while watching, but I wasn't bored either. I don't think I laughed at a single joke, but I also didn't groan. I just sort of existed in a room for 90 minutes and then all the sudden there were credits. C



  • So I saw Eraserhead for the first time today. I feel vaguely sick and I don't even know why. I was also surprised by how funny it was at points. Don't really know what to rate it because I didn't like it per se, but I also kind of liked it?



  • @capnbobamous Yeah, that about sums up my relationship with that movie as well. When I finished it I thought I hated it, but it also stuck with me more than most movies I've seen. Still don't know if I like it, but I do think it's quality.



  • I think Spike Lee makes good movies then actively sabotages them with bad choices. The Five Bloods is a movie where I feel like all of the tension and emotional impact of the film is sucked out of it in the final act by the introduction of a figurative mustache twirling villain. The whole film, you watch a mentally ill, traumatized man being allowed to bully, threaten, and cajole his friends and family down the path of bad choice after bad choice. Nobody wants to stand up to him. At times, they actively and willingly follow him down this self-destructive path, enabling his paranoia. Allowing him to dictate their actions on the whims of his xenophobic conspiracy theories because of what... pity? They think it's brotherhood, but brothers would know when to step in and get a dude some help. They are all fucked up in some way though. Which is fine, if that's the kind of movie we're making. The last act reveal of Baddy McBaderson wants us to root for the "heroes". But the only heroes in this movie, are the ones there against their will.

    C-



  • Finally saw the Joker. Perfectly fine movie. A good example of how intolerant is this outrage era we're living where people violently attack completely legitimate works because it offends them in some convoluted weird way. Kinda like what's happening with TLOU2 right now.

    Also saw Da Five Bloods. Kinda like with his KKK movie it's an average flick with great moments in it. I liked how it mixed several movie genres and themes, even if ends up losing consistency because of that I find the exercise in it self appealing. What really hurts the movie for me is the mediocre Direction of actors.



  • Given the current climate think I'll give do the right thing another watch tonight. Cheers