Last movie you watched
TokyoSlim last edited by
I recently rewatched Crazy Rich Asians and still find it just as delightful as the first time.
I wanted to make it through all of Bong Joon-Ho's films before listening to the Reaction Shots episode on the subject of his stuff. Finally finished Mother last night. It took me a few nights, but I really enjoyed it! It's not my favorite Bong Joon-Ho film that I've seen, but there were still reveals by the conclusion that I found really shocking, which made the film as a whole more effecting in how your perspective of events shifts with all the information.
I just started up Memories of Murder before bed last night, I'll have to update when I make it through.
I had no clue Memories of Murder was Bong Joon-Ho. I love that movie. I recently redownloaded it. I also must've not noticed that reaction shots episode so now I want to catch up like you are.
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DIPSET last edited by DIPSET
The Grand Tour Presents: A Massive Hunt - 6/10
It's a TV special, but these are basically small travel/adventure docs. This is likely the weakest GT special so far, but it was still amusing. I'll never get tired of seeing Clarkson wearing jeans in the middle of a boiling hot country near the equator. I also don't get tired of the punched up contrast and HDR footage in this series. Still a pretty straightforward special compared to others.
Rocky, Rocky II, Rocky III, Rocky IV - 10 "Yo Adrian's" / 10
It's been checks watch maybe like 13 months since I last watched a Rocky movie so I was getting antsy. I can't get enough of the Rocky series and I could enthusiastically talk about each movie for the rest of my life. There is always something to discuss with Rocky.
Can't wait to get into Rocky V to Creed II which I've only seen the latter in theatres once. Despite the universal disdain towards it, I actually love Rocky V. RIP Tommy Morrison.
bam541 last edited by bam541
This movie perfectly does what it promises to do. It knows what makes you care about a story, and it knows how to fully absorb you in it. This is a very well paced movie that is passionately animated to reach beautiful heights, backed up with strong music and acting. While the message is simple at it's core, it resonates so well with me because of its straightforwardness and eagerness to tell it's story. (8/10)
JDINCINERATOR last edited by
@bam541 I too watched Soul on Christmas day and that was instead of having to watch Sing with my brother and mother-a film I really can't stand because it's so loud and abominably animated.
bam541 last edited by
@jdincinerator lol anything's better than watching that movie, hope you enjoyed Soul
JDINCINERATOR last edited by
@bam541 Yeah Soul was really nice thanks.
I've had a good week
Witnesses tell their tales of a man's murder, but their stories don't quite add up. This one has been on my list of shame for a while now and honestly... it didn't really land for me. I can appreciate how innovative it was from a storytelling perspective, but ultimately this is just a parable set in Japan. It probably doesn't help that the style of acting Kurosawa likes really turns me off. Idk. I think this is one of those "objectively good" movies that just isn't for me. B-
A story of love, sex, and the best goddamn bowl of ramen you'll ever eat. This is a movie that announces itself early and then never lets up - from the food porn to the porn with food, I don't think there was a single moment here where I didn't have a massive smile on my face. While I have heard some arguments that it's a bit scattershot, I think that it ultimately works in the movie's favor. It explores humanity and relationships through a lens I've never seen before - and food is central to all of it. It's simply perfect. A
A man dies on the eve of his big break and must guide a wayward soul if he hopes to fulfill his purpose. I think I'm in the minority here, but I think this movie is the most "fine" movie I've ever seen. The animation and music are incredible, but outside of that there's really not much substance here. The script is mostly just exposition and tepid jokes, the characters are largely unlikeable, and the overall story structure is oddly shallow for such a high concept premise. I do like the message and the themes of the film, but the big "Pixar moment" at the end just kind of fell flat for me because I didn't think the characters had truly earned their realizations. Again, I'm in the minority here, but I really was hoping to like this one more than I did. C+
Honestly, fuck this movie. Incoherent, ugly, and bloated. I don't know what the hell they were thinking with this one. The only saving grace here is Chris Pine's effortless charm. Diana deserves better. D
I don't even want to try and do a one sentence summary for this one. Tenet falls into the classic Nolan trap of thinking that convoluted = complex. The central conceit here really isn't as complicated as Nolan (or others) would like you to think it is, but they just keep adding on rules and terminology that just serve to muddy the waters more than they need to. It probably doesn't help that this movie is unwatchable without subtitles (I tried both). I will say that the action and visuals are surprisingly good, and it seems like Nolan has finally learned how to direct hand-to-hand fight scenes. I think if you go in and just turn your brain off you'll probably have a good enough time. I was just frustrated by how clever it thought it was. B-
A woman runs from an abusive relationship, starting a tangled web of blood and deception. I'm a big Coen's fan and am pretty ashamed it's taken me this long to see their debut feature. In many ways it's the antithesis to Tenet: a perfectly simple and straightforward story executed to perfection. It does suffer from some "first film-isms" and isn't particularly subtle, but I think that almost works in its favor. It's just a fun noir thriller. Nothing more, nothing less. A-
An unhappy woman gets sent a novel from her ex-husband, causing her to ponder her life and her relationships. I still can't tell if I hated this movie or not. It's visually luscious with strong performances, but it feels like a high schooler's idea of a dark and gritty story, practically bashing you in the face with its heavy-handed symbolism. Amy Adams makes the most with what she has, but the script here is just terrible. This is just a bummer of a movie, in more ways than one. C-
The Funeral (1984)
The sudden death of a patriarch brings family and friends together for their very first funeral. I think Itami just has my number. This is a frequently hilarious satire on Japanese culture that never loses sight of its heart and warmth.... except for one pointless 15 minute subplot in the middle. That one blemish is actually quite frustrating to me, because otherwise I think this is one of the best movies I've ever seen. It was almost uncomfortably familiar, from the kids fighting during the sutra to the awkward shuffling in and out of unknown formalities, this is a movie that feels lived in more than any other I've seen before. It's brilliant and beautiful in a way that I'm having trouble articulating without giving away every scene of the movie. I truly, truly loved this movie... I just wish they did away with that one, terrible subplot. A-
What is everyone's "Must Watch" list of 2020?
Other than the emails I get from Hot Doc's Festival, I'm suuuuper outta the loop this year. Here is a list I've collected from The Ringer and AV Club, but obviously I'd rather hear some "human" takes rather than pundit takes. I'm gonna start collecting them and watch over the next few months. Still low key catching up on my 2019 list but that's neither here nor there, The Bachelorette doesn't watch itself...
Sound Of Metal
PORTRAIT OF A LADY ON FIRE
NEVER RARELY SOMETIMES ALWAYS
I’m Thinking of Ending Things
Dick Johnson Is Dead
Small Axe anthology
The Vast of Night
Any others from 2020 that you recommend I watch? I'm totally content with skipping Tenet fyi.
@dipset I'm SO behind on 2020 movies. I think the lack of being able to go to movie theaters really sapped a lot of my hype to see different things, where previously I would go once a week with a subscription.
I think for me, Portrait of a Lady on Fire, Soul and Small Axe Anthology are what I'm looking forward to most off of your list, but I'm just less familiar with the releases of 2020, so there could be a lot of really good stuff in there I'm neglecting.
Just rewatched the extended cut of Straight Outta Compton over the last couple days (did half each night because it runs around three hours). Still timely and a great portrait of the crew. It still feels especially effective too given the racial injustices and Black Lives Matter movement that have increased in visibility over the last several years. I especially love the performance of O'Shea Jackson Jr. Being Ice Cube's actual son really gave the role a powerfully realistic presence, especially during the musical performances.
While the movie does cover a lot of ground over the three hour runtime, it can also be a little vague and scattered sometimes too. The ending is especially brief and rushed, and feels weird in tone by comparison to the rest of the movie as a conclusion. Still an underappreciated movie in my book. Got snubbed at all the awards at the time, but I sort of hope that over time it will get more attention.
Ringedwithtile last edited by
@dipset I really liked the new Tsai Ming-Liang film 'Days', but I think you have to go into it understanding how ascetic and personal his films are. I also dug Spike Lee's latest Da 5 Bloods.
From what I've seen on your list, Martin Eden is my favourite, though I saw it in 2019. Really bizarre and beautiful stuff.
I guess I should mention that I left a few off this list that I've already seen, but generally, most of what I have already seen wasn't on most "Top 10" lists.
I also enjoyed Da 5 Bloods.
A struggling writer is dismayed to learn his lover has returned home from Africa with a mysterious new friend. I feel to say much more would be to do future watchers a disservice. There's a reason this film made some many "best of" lists when it came out in 2018 - this is a gorgeously shot, deep, and scintillating slow burn thriller filled with incredible performances and rich subtext. Few movies leave me thinking like this for so long after I've watched it, turning key moments over and over in my head. However, I feel like I missed out on a fair bit of subtext due to my lack of familiarity with Korean culture; talking with my friend after the fact helped fill in some gaps, but this film oozes symbolism in a way that I haven't seen in a while. I don't mean that other movies aren't riddled with symbolism, either - I mean that this movie layers its meanings in subtly without belaboring its point ever. You either get it or you don't, and unfortunately I felt that there was a fair bit that I didn't. Additionally, the movie (very intentionally) left me feeling empty in a way that I wasn't fully comfortable with. Don't go in here expecting any sort of cathartic release. Again, that's not really a fault of the movie, but it did leave me feeling a bit disappointed by the end. That said, I think if you can dedicate 2.5 hrs to a perhaps emotionally unfulfilling movie, you'll be treated what is easily one of the most beautiful movies I've seen in recent years. A-
TokyoSlim last edited by TokyoSlim
@naltmank It's one of my favorites of recent years. A friend and i went to see it, and argued pretty vehemently afterwards in the parking lot of the theater about whether "he did it" or not. lol
@tokyoslim ...There's an argument to be had about that?
DIPSET last edited by DIPSET
I'm copying others and switching my rating "system" to letter grades instead of numbers.
The Vast of Night
The two main characters are radio broadcasters, a DJ and a Switcher, and I felt like I was back in Media Technical Theory lectures from my first year of university watching this movie. It's mainly because of the old timely (1940s-ish) equipment they use throughout.
Basically, it's a sci-fi thriller dressed up as an old Twilight Zone TV special. You know exactly what's going on in this movie, but regardless of the obvious, I was just as scared and confused as the characters were.
Just goes to show that you can take a suuuuuper common film trope and make it suspenseful with good writing, good acting, and some film making techniques. You don't always have to push the envelope to keep people gripped.
TokyoSlim last edited by TokyoSlim
@naltmank Well yeah,
she might still be alive.