The EZA Community Top 20 Best of 2020!
NeoCweeny last edited by
Ori and the Will of the Wisps is my favorite metroidvania from the modern era, though I have not played Hollow Knight yet.
All around excellent game.
El Shmiablo Banned last edited by
Haven't played Will of the Wisps yet but I loooove Blind Forest and this is def on my list of games to get in the future. The marriage of precise platforming and absolutely stunning art direction just make this series sum transcendental shit, yo.
DIPSET last edited by
I can’t really say it better than those who posted above me but Ori and the Will of the Wisps is an all time great Metroid game.
I didn’t play the original game because I thought the combat looked quite poor but this game looked at the market competition (Hollow Knight) and massively improved the combat and made it a core of the fundamental game.
Like @Phbz showed off in his tweet, the platforming and overall flow of the game is both puzzling, technical, and just insanely satisfying.
My biggest praise for the game is it’s attention to ‘shot’ composition where all elements of the foreground, middle ground, and background are all so well composed to give the world a lot of depth. You might be walking on a creature that is burrowed into the ground and they are somewhat animated to give it life. They aren’t actual characters you interact with but they are creatures in the world and all of these little subtle details just make the whole world feel rich and lived in.
Kinda like Astro’s Playroom, Ori also lets you interact with a ton of stuff. The FX detail and animation is fantastic where you might whip a energy bolt at an enemy and it explodes with particles splashing all over the screen and a loud thud in the SFX. You might hit some health plants or power crystals and the whole thing just feels so interactive, lived in, and immersive.
It’s probably overstated at this point but the music is just great. It gives me AC2 vibes actually. I wouldn’t say it necessarily some of the action scenes have an out of the ordinary score but the overall vibe the score gives off just helps bring you into this world.
NeoCweeny last edited by
Here's a great video on the level design of Ori for those who are interested:
Axel last edited by
#2. Final Fantasy VII Remake - 73 points
#1: 9 (Axel, Brannox, Exist 2 Inspire, DIPSET, VicRattler, HappyGaming, Nimbat1003, TokyoSlim, Lotias)
#2: 4 (Sentinel Beach, R.F. Switch, Jamicov, Danjin44)
#3: 1 (paulmci27)
#4: 2 (Sheria, Scotty)
HM: 5 (Crepe, JDINCINERATOR, El Shmiablo, robert7lee, bam541)
Release date: April 10 [US/EU]
Developer: Square Enix
Publisher: Square Enix
Genre: Action role-playing
Platform(s): PS5, PS4
Axel last edited by
#1. The Last of Us Part II - 75 points
#1: 6 (Sentinel Beach, El Shmiablo, bam541, Jamicov, Scotty, Capnbobamous)
#2: 6 (Axel, paulmci27, Brannox, JDINCINERATOR, Lotias, iboshow)
#3: 3 (Phbz, Shoulderguy, Hazz3r)
#4: 4 (ffff0, DemonPirate, robert7lee, HappyGaming)
HM: 4 (Crepe, DIPSET, Sheria, Tearju Engi)
Release date: June 19 [US/EU]
Developer: Naughty Dog
Publisher: Sony Interactive Entertainment
Shoulderguy last edited by
This was my first experience with anything FF7 related. And even though I was a little confused at times, the side quests are boring and some of the writing is bad by 2020 standards. I still enjoyed Final Fantasy XVII Remake for the spectacular rollercoaster ride that it was.
This game is full of so many awesome moments that are all highlighted be equally awesome music, especially during the boss fights. And I'm also very curious to see where this story goes from here. So job well done Square Enix.
Final Fantasy XVII Remake is #9 on my list.
The Last of Us Part II is impressive in so many different ways. Such as all of the gameplay improvements over TLOU 1. Best in the industry technical and sound design. And a completely enthralling story that continues from where the first game left off.
I only have a few small nitpicks with the TLOU 2's structure and with it running at 30fps on PS4. Though none of those issues were serious enough to ruin one of the best games of the year for me. The Last of Us Part II has a story I'll never forget, and I look forward to playing it again on PS5.
- Ori and the Will of the Wisps
- Tony Hawk's Pro Skater 1+2
- The Last of Us Part II
- Demon's Souls
- (HM) DOOM Eternal
- (HM) Wasteland 3
- (HM) Marvel's Spider-Man: Miles Morales
- (HM) Desperados III
Once again, thanks @Axel for doing all this work.
paulmci27 last edited by
Thanks @Axel for doing this once again. The top 3 games are well deserved. FF7 Remake was an impossible dream fulfilled. Im glad the story went unexpected places. I reconnected with friends I hadn't spoke to for years discussing this game all of us excited to see where it goes. As for Last of Us 2 all I can say that I enhaled this game for 32 hours & not a second was wasted. This years top 3 were some of my favourite gaming experiences ever. What a time to be alive.
bam541 last edited by bam541
Wow, a difference of only 2 points? Damnnnn.
FF7 Remake is not my first rodeo with the FF7 universe. I have finished Crisis Core before, and that experience made me at least a bit more aware to the deep complexities of this remake, if taken to the context of the whole FF7 universe. Perhaps this is the best concept for a game remake yet: not only infusing modern game design and advancements to every aspect of the game, but also offering players something that feels similar to the magic of the original game when it was released back in the day. It almost brings a new definition to the word "remake" itself. Also, the soundtrack is magnificent overall. Still, I think the game has a few flaws that is just hard to ignore. A decent amount of the chapters of the game feels almost like fillers, either because they don't have enough interesting things going on, because they go on for a bit too long, or because the things you do in the chapter is just not very fun. At least things got much tighter in the last few chapters. Also, exploring the more open parts of the levels can be a bit disappointing because the graphical quality can be a bit inconsistent. None of these flaws hurt the game too much though. At the end of the day, I still love it. I'm so excited to see more of Cloud and the gang in the sequel.
For me, there is no word that describes TLOU Part II better than "culmination". Everything that Naughty Dog has learned, everything that they have worked on, it all leads to this masterpiece. It's their magnum opus, and it's not even because of the technical aspects of the game. Granted, I still can't believe that my PS4 can run something that looks and feels this good, but the real reason why this game is so good is how unrelenting it is at presenting its story. The structure of the game is built to amplify every emotion that I'm feeling, and that's why I love this game so much. I understand why people would dislike this game, but I still beg to differ personally. This game reminds me why I love Naughty Dog's games so much, there's just no one that can do it like them, and in the current gaming landscape, their games just feel so different compared to other AAAs. Honestly the only thing that I'm feeling negative about is not even in the game itself. It's the whole crunch thing that ND got going on. Naughty Dog is my favorite dev, and it really saddens me to know that they're still doing it to great lengths. Hopefully they can get with the times soon, crunch is lame af.
Here's my list:
- TLOU Part II
- Ghost of Tsushima
- The Pathless
FF7 Remake, Mafia Definitive Edition, Cloudpunk, THPS 1+2
I know The Pathless isn't for everyone, but man, it's so fucking good. I said before that it's a really good Fumito Ueda game, and that was only half joking. It not only reminds me of Ueda's sensibilities, but is also very unique in how it plays and feels. Mastering the exploration is more satisfying than many combat systems in action games. The story itself leaves lots of rooms to improve on, but it still had it moments. Also, Austin Wintory's soundtrack is really good! Lastly, considering that it's made by an indie dev, the open world itself is pretty impressive technically, there's pretty much no load times in between big zones transitions. All in all, I love this game very much.
Mafia Definitive Edition was a pretty good story experience hampered by it's clunky and dated gameplay feel. The graphics did a great job of immersing me further into it's world, and the pseudo open world structure of the main game supports that feeling, while keeping the focus on it's story.
Cloudpunk is a weird mish-mash of short stories that end up becoming greater than the sum of its parts. Exploring the city with your hover car is honestly one of the best vehicle gameplay experience I've had in a while.
Once again, thanks @Axel for setting this thing up, and thanks to everyone else who participated. Y'all have great taste!
P.S. I forgot to show my actual full list on GGApp, so here it is.
Keep in mind that my actual list is different than the one in here, because, y'know, I want to give more points to some games. Also, my actual list is purely on personal feelings.
ffff0 last edited by
Final Fantasy VII Remake is my #20 of 41.
Technically, I’ve played a lot of Final Fantasy games (Game Pass), but I’ve played them only for about 5 minutes each, because they are too old to be enjoyed. Also, I’ve spent an hour in XIV (outdated visuals and lack of full VO was a showstopper) and 3-4 hours in XV (just got bored). So, I had very little interest in Final Fantasy VII Remake and completely lost it after playing the demo. Then it was released on PS Plus and I play all games I get for free. So, I’ve decided to see how soon I will drop this one.
Surprisingly, this is the first Final Fantasy I’ve finished. I say surprisingly, because I didn’t like any aspect of this game and all problems I saw in the demo were still there, plus some more from later areas. Firstly, sound mixing and music implementation are terrible. Loud epic soundtrack plays even when you do absolutely mundane activities. And it drowns all dialogs. The same problem ruined Star Wars Jedi: Fallen Order for me, so I’ve immediately nearly muted music. But it wasn’t ideal solution: several music-driven scenes completely lost their impact, and I couldn’t do anything, because even though the game allows you to pause during cut-scenes, it doesn’t allow you to change the settings.
Then there’s poorly designed combat. On normal difficulty enemies take absurd amount of time to kill and since there are so many of them, the combat quickly becomes boring. But on easy there’s no threat at all and combat becomes boring for another reason. Also, your companions are completely useless and don’t even try to fight.
The game constantly breaks its rules. Characters can jump 10 meters up during combat but can’t bypass small fence during exploration. There are cutscenes in which such obstacles prompt a detour, but in other cutscenes characters jump and throw each other. Somehow sword is effective against guns. Yes, this is a common trope, but when you have a character with a gun in your party, this absurd is hard to ignore.
Speaking of characters, the girl in red coat has a skin-colored bow that looks like giant ears from multiple angles. This design looks so stupid that each time she appeared I’ve started to chuckle. Also, all adversaries are so one-dimensional that all their scenes felt like a joke. So even though story tackles some serious issues, it felt like a circus performance.
What else? Ah yes, characters look good, but environments looks like they were made for some distant background. Even during simple indoor cutscenes objects and textures look extremely rough, almost like the game was shipped without LOD 0. Also, some sections are an absolute filler – they don’t make sense from story perspective, and they aren’t fun to play.
So yeah, my problems with Final Fantasy VII Remake are numerous. Yet, as I said before, it’s the first Final Fantasy game I’ve decided to finish. And I even had a decent time doing so. This fact is probably the biggest mystery of this game.
ffff0 last edited by
The Last of Us Part II is my #4 of 41.
This game has very impressive tech, particularly fabric simulation and sound implementation. Also, it’s probably unmatched in terms of performance capture. However, it’s my #4 because of its storytelling, so some spoilers ahead. Initially I was on Ellie’s side and fully supported all of her kills. When it came to theater’s confrontation I thought “Alright, let’s kill that bitch Abby”. Then Abby section began and for a while I didn’t spend anything on her upgrades, because I wanted Elly to kill her and take all those materials for herself. But soon I began to warm up to Abby and then I began to root for her. When it came to theater’s confrontation I thought “Alright, let’s kill that bitch Ellie”. Then, in the final act, my sympathy for Ellie came back, but this time I was above confrontation and wanted the best for both sides.
Only masterful storytelling can change my mind so many times and paint such multidimensional picture. This game is only my #4 for two reasons: I was very impressed thoughtfully, but not emotionally, and there were 2 groundbreaking games and 1 out-of-nowhere excellent title that I just had to put above. But The Last of Us Part II is definitely a GotY material.
ffff0 last edited by ffff0
Here’re my votes:
- Cyberpunk 2077.
- Half-Life: Alyx.
- The Last of Us Part II.
- Assassin's Creed Valhalla.
- Watch Dogs: Legion.
- The Pedestrian.
Watch Dogs: Legion was fun and playful, but it was too short. Haven is a very relaxing and endearing game with great characters and music. But some constraints are obvious, so only #7 from me. The Pedestrian is a bit short and easy, but it’s a wonderful puzzle game. Not as great as Filament, but still very, very good. Oh yeah, please look at my yesterday’s post about Filament and give this game a chance if you like puzzle games.
Here’s the rest of my list:
- Ori and the Will of the Wisps.
- 3 out of 10.
- Marvel's Avengers.
- DOOM Eternal.
- Mortal Shell.
- Journey to the Savage Planet.
- Desperados III.
- The Last Campfire.
- Marvel's Spider-Man: Miles Morales.
- 13 Sentinels: Aegis Rim.
- Final Fantasy VII Remake.
- Tell Me Why.
- Xenoblade Chronicles: Definitive Edition.
- Command & Conquer Remastered Collection.
- XCOM: Chimera Squad.
- Immortals Fenyx Rising.
- Gears Tactics.
- Destroy All Humans!.
- Astro's Playroom.
- Paradise Killer.
- Iron Man VR.
- Ghost of Tsushima.
- Streets of Rage 4.
While I don't like to do this because the filter may think I'm spam, I MUST break up my posts, because I had too much I wanted to say. I am EXTREMELY sorry for the amount AND length of these posts. I have two personal stories to tell, one for each game before providing my list. Writing this was quite cathartic and therapeutic and I literally couldn't stop for over an hour and a half.
While not the same order as my list (more on that WAY later below), it feels good to know my three favorites were cumulatively the forums' as well. Practically 90% of my online presence is something in one way or another to FF VII because it's my favorite game of all time, so needless to say, I was waiting on Remake like so many others for almost a decade and a half. When I saw the PS3 tech demo, my early (and very ignorant) teen mind thought, "Well why can't they do the whole game like that?!" not knowing games as the technological complexities that they are. And the hype for a better version of FF VII faded as I grew older.
Then E3 2015 happened. Yes I feel it's the greatest singular announcement in all of E3's history, but the magnitude is amplified when coupled with The Last Guardian and Shenmue III. But even still, I TRULY don't think many really remember how stacked from beginning to end Sony's entire show was. And on top of THAT, that was first ever Bethesda conference with the reveals of DOOM, Dishonored 2, and Fallout 4. EA had Battlefront shown for the first time. Xbox announced backwards compatibility and showed off Halo 5 and Gears 4 (before we knew what was going to happen). And yet VII: Remake towered over them all for me. I mean it's how I discovered the Allies (I knew of GT only really through Spike up to that point).
When it was announced, I thought, "That's fine. Take your time. Don't rush." So imagine my surprise getting the gameplay trailer six months later at PSX. While I too was hesitant when I first heard of the episodic nature, I couldn't comprehend it, so I ignored the fact. Then: Silence. While so many people cried out for updates or getting impatient, I felt completely ok with waiting. I was so convinced the project had WAY too much notoriety to be canceled, so I had faith it was being worked on and it would be at the very least be really good.
Cut to the May State of Play. After the euphoria, the "IS THIS REAL?!", the year of dreams, I couldn't believe it was back. I can't begin to tell you dear reader, or even myself, just how many times I have watched the initial reveal trailer, the Trailer Score for it, that State of Play reactions from the Allies, that return trailer on its own. I looped it over and over. It's all I could think about until June.
Then E3 happened. The major deep dive Square gave it to open their show. I couldn't get enough. As the months agonizingly went by, then I was starting to feel it: That need you have when you want to play something so bad (Coincidentally, I'm going through right now, with Intergrade AND Ratchet & Clank: Rift Apart. Because, ya know, PS5s are impossible to get.). Tokyo Game Show, The Game Awards. With each passing event, with each new trailer, the desire grew.
When the game got delayed during what at the time I called "Delaypocalyspe" when Remake, Avengers, and CyberPunk all got pushed to their respective dates, I couldn't help but laugh. I, like everyone else, had to wait even more. But when the initial release date came around, March 3, I couldn't stop myself: I had to download the demo.
I became emotional as soon as I heard the prologue. When I moved the camera and Cloud just a little, I got caught up in the moment. Then the pandemic happened. With the uncertainty of such massive, instant change to daily on a global scale, I was legitimately surprised I was able to get it the day after launch.
And what I experienced, just north of 81 hours with two back-to-back replays, one standard and one Hard, I was so taken with almost everything. I will never forget how this game moved me. Hearing the soft rendition of the main theme as I looked up at the steel sky. The absolutely bonkers ending (Of which I am completely fine with. As much as I love Crisis Core and its ending ALWAYS gets me, every time, I'm VERY fascinated with how the next installment(s) will play out). But my favorite moment is Chapter 7. And when the choir hits with the epic guitar as you're wailing on the Airbuster: Perfection.
When you love something so much and waiting for so long for it, when you finally get the thing you covet most, it's indescribable.
As much as I love it, I DO have nitpicks. Air combat when you don't have access to Barret or Aerith is annoying. Chapter 9's first half going through the tunnel is SO. LONG. when replaying it over and over with probably the soundtrack's only miss. Side quests (and more particularly the first batch of them in Chapter 3) are utterly worthless and I wish they didn't factor into which dress Aerith gets in Wall Market. The Hard mode versions of both the Bahamut fight in the simulator and Sephiroth are just absolutely BRUTAL. The mini-games on hard (I. HATE. PULL-UPS.).
But everything else? Literally EVERYTHING else? Loved it. I actually enjoyed the background textures (Except the door. That one is blatant. But the tweet Square just put out a couple of days ago was funny). I didn't mind the level design that much. I loved exploring the underside of the plate, going to Jesse's parents' house, exploring the underground lab. The characters, the writing, the story, the acting, all wonderfully faithful and modernized. Gameplay was tight, especially once I found the best Materia combinations that worked for me (Side note: Yes, I wish a one button transfer existed, and yes I wish a new Materia spawned when you reached Max level on the original). Summons are spectacles and always a treat to use. The motorcycle sections were more fleshed out and fun (though I AM surprised Roche never appears again).
I could go on and on. Hell, I HAVE gone on and on. And I haven't touched TLoU yet. So to conclude about VII: Remake: I am so happy. I can't wait for all future installments. I am so pleased to see it get the most individual GOTY votes (IF ONLY ONE MORE 1st or 2nd PLACE VOTE!! AARRGGHH!).
And that's been my journey of what is now my second favorite game of all time.
But about the EZA Forums' GOTY winner.
Before I proceed, I feel with the incendiary nature and charged divisiveness that always seems to happen when it's discussed, the only way I can talk about it is by referencing the heaviest spoilers, so I feel a tag is prudent here.
I have absolutely no problem with Joel being killed off in the first two hours. It makes complete sense as to why with his past deeds, and it makes the narrative that much more poignant in the closing moments. When taking control of Abby the very first time you meet her, I knew she was going to be important. But when she actually does the deed, with the final swing, I felt a jolt because I was surprised Naughty Dog actually went through with it. No miraculous save. No plot armor. It is inevitable. So as Ellie sets out to Seattle, I, as designed, wanted vengeance. And playing through the first half, it was incredibly intense, particularly in Day 2 when you have to avoid the dogs, sneak through the dark building with the Stalkers, get past the first couple of encounters with the Seraphites. But when I finally got to the end of Day 3 and perspective switched, when it popped up, "Seattle, Day 1." The thought of "Oh. Shit. I'm only halfway." was a jaw-dropper. I went from curious as to how (and why) I was going to spend so much time as Abby, to really becoming invested in her relationship with Lev and Yara. And while playing as Abby, I would always be thinking, "Ok, if this is Day One, what was I doing as Ellie at this time," or "If this is Day 2, has Ellie met the Seraphites yet as I baby-crawl between these skyscrapers?" When the showdown happens, I was NOT enthused to having to fight Ellie as Abby. My nerves were SHOT. After watching (and forcibly directly engaging in) some of the most gruesome realistic gory deaths, a couple of those being completely sudden, as Abby and Lev left the theater, I couldn't imagine going any further. I thought I had reached the end. And then the most devastating part of the game soon came after. While sitting on the tractor in the field, looking at the GORGEOUS sunset, recalling both looking out at the wilderness at the beginning and watching the giraffes in the first game, the most purest form of dread seeped into my stomach, "I'm not done. There's going to be more." And sure enough as Ellie packed up to go after Abby, forsaking the ONE person who was with her the ENTIRE time, I was screaming at the tv, "NO! THIS IS IDIOTIC, ELLIE! YOU HAVE IT! YOU HAVE A GREAT LIFE! FAMILY! PEACE!" Don't get me wrong; Santa Barbara, like Seattle and Jackson, is stunning, but I do NOT like that segment purely for story reasons. And in the climax, as the monster threatened Lev in her one-track obsession of revenge, I was having some complex feelings having to forcibly proceed. And after it was all over, as Ellie walks into an empty house, no longer able to play the guitar and ultimately leaves literally everything she has behind, I couldn't go on, which shows the absolute perfect placement of the credits. If you couldn't tell, this game fucking destroyed me. All the softer moments are amplified in their impact with how devastating they are. Playing Take on Me in the music store (which, being COMPLETELY skippable, is bold). The flashbacks, in particular the one at the museum and the very last conversation Joel and Ellie would ever have, broke me in a way I can't describe. It took me 11 months to process my feelings and work up enough desire to try out New Game+ last month. And knowing what was to come, it still hit me.
Now. All spoilers aside, I can't praise the game in every other aspect enough. Animation. Environmental design. Gameplay. Crafting. It just feels so good to explore and find resources, safes, and documents. The New Game+ modifiers are very fun to mess with and break the game. Truly exceptional from top to bottom. It's my runner up because, despite how it made me feel, the fact that it DID and did so to such an immense degree, is why I admire this as a work of art.
When I make and rank a GOTY list, I've noticed every single ranking for any year follows the same format: How did this game make me feel, how consistent were these feelings kept, and how much did I get out of it, be it fun, memorable moments, or something else entirely. That's why the almost 15 years of love being payed off and why the intense rollercoaster of TLoU Pt. II's narrative won the day on my list. Speaking of which:
1.) Final Fantasy VII: Remake
2.) The Last of Us: Part II
3.) Ori and the Will of the Wisps
4.) DOOM: Eternal
5.) (HM) Kingdom Hearts: Melody of Memory
6.) (HM) Ghostrunner
7.) (HM) Crash Bandicoot 4: It's About Time
8.) (HM) Gears Tactics
9.) (The only game I've watched in full but didn't play) Resident Evil 3 Remake
Melody of Memory is nothing more that playing a LOT of the entire series' soundtracks (plus a few one offs) and it's an utter delight. While it may advance the main plot just a tiny bit at the very end, this is a perfect, "Unplug your mind and just waste several hours of listening to incredible music," game. $60 for practically every song from every Kingdom Hearts game? Sold.
Ghostrunner is super cool, really fun to play, and can be done in a couple of sittings, but the second of three boss fights and the very last platforming challenge are utter garbage with their difficulty spikes. That said, it's instant reload from death is greatly appreciated with the combat encounters being puzzles and I'm excited for the sequel.
Crash 4 is the best Crash game ever made is so many ways from art design (ESEPCIALLY N'Verted mode), gameplay improvements like Modern Mode and the Mask powers, but the biggest plus is the characters and remarkably, the story. I'm actually shocked just how good of a story this game has. That said, I will always carry a smoldering anger towards it because the difficulty in the last couple of time periods, with the All Gem Path and the last stage before the final boss in particular, is outright ridiculous.
Gears Tactics may be at the bottom of my list, but it's still a really good game. The first game I've ever played of the Tactics genre, as it's pretty intuitive once you get through the first couple of chapters. Gears is suited to it quite well for being a franchise that involved being a third person cover shooter. As a die hard Gears fan, I really enjoyed the story, but the post game is repetitive and becomes old FAST, plus the absolute best parts, the three (AND ONLY THREE) boss fights can only be experienced once on one save file.
WHEW. If anyone read ANY of my posts, thank you. Again, I am VERY sorry for so much. I had to get all of this out. Not tagging everyone (obviously) but I DO want to thank @Axel for always being the driving force behind these lists over the years. And again everyone, I'm sorry this was so much.
Phbz last edited by
TLoU2, just like Ori it manages to completely surpass the first game and become the industry leader in pretty much every aspect.
I also think that story is a huge step up from 99% of the competition, being an incredible strong take of what is the root of humanity's endless violence and I honestly loved seeing how so many simply refuse to face it and felt offended by it. We need more games that make us feel uncomfortable.
On the bad side, structurally the narrative follows the idea of the "circle of violence" a bit too linearly and becomes a tad obvious and repetitive. Also I feel like it could be a bit shorter.
Another negative, and this one is bigger, it's borderline unacceptable that Naughty Dog, while being one of the industry leaders in storytelling and game design, makes of the player a complete spectator. We are talking about games here and we are talking of a company that is supposed to be pushing the industry forward yet doesn't even tries to achieve anything in player agency. I would advise Druckmann to sit down and play Kentucky Route Zero and take some notes on how to deal with narrative delivery and player agency without actually needing to shape a story according to the players choices. You don't need to adapt events and create ramifications, just bring the player in.
Sentinel Beach last edited by
Excellent top two, and in the right order as well. I'm currently playing the Remake again now on PS5, soon dropping by a certain church. That's where I cried for the first time a year ago when her theme started playing in all that beauty and nostalgia...
Naughty Dog, on the other hand, is my favourite studio in this industry, and with TLoU Part II they raised the bar once again to unfathomable heights. The combination of story, characters and gameplay with all those incredible details! Unbeatable. My God what a game.
El Shmiablo Banned last edited by El Shmiablo
I won't say much about TLOU2 since I've already said pages worth on the forum.
Absolutely incredible game. My only problem is the buttfuck abysmal pacing near the middle where it grinds to an absolute halt for like a solid hour. I also think that the story should have been told linearly, as that would have helped the gamerdudes sympathize with certain characters and their actions better (which are totally and completely justified if you have basic human empathy), but hey who the fuck cares about them right?
JDINCINERATOR last edited by
@ffff0 What did you enjoy about Watch Dogs: Legion? I really wanted to like it because I found WD2 to be fantastic but felt like Legion despite its ambitiousness, got far too boring and tedious with a dearth of charisma, unappealing and rote missions and it just didn't do anything to wow me. I remember when you go into the pub to play darts and your associate over earpiece remarks that it would be awesome if your opponent was drunk or something like that-and yet nothing happens-no hilarity, no excitement, no real entertainment-Legion just stuffs itself with busywork in predictable Ubisoft fashion. I'm glad you enjoyed it way more than I did, I'm just curious and interested in why you liked it.
JDINCINERATOR last edited by JDINCINERATOR
I think we all assumed that Final Fantasy VII Remake and The Last of of Us Part II were going to be the final two. The former is terrific and is a true love letter to the original in every way without compromising what made the original great-I do prefer THSP 1+2 Remake over FFVII Remake but that's probably down to it being more accessible and immediately fun and pick-up and play whereas FFVII is more intricate and deeper, and more in-tune with fan-service. The Last of Us Part II then is phenomenal for the most part, with its only dingers coming from the questionable pacing and a back-end that relied way too heavily on outpost clearing. However, TLOU Part II had some of the most powerful and sensational moments I think I've ever had in videogames regardless of how serious it is a lot of the time. Some of the greatest films, music, books and videogames can be enormously divisive and TLOU Part II is certainly one of those, but the quality inherent within is unquestionable. Also here's my Top 8:
Top 8 Games of 2020:
2.The Last of Us Part II
3.Tony Hawks Pro Skater 1+2
4.Ghost of Tsushima (Probably will retract this one now but still stands)
HM: Final Fantasy VII Remake
HM: Mafia: Definitive Edition
HM: Animal Crossing: New Horizons