The EZA Forum Hall of Greats (January 2023)

  • Oof, wasn't expecting it this early in the month, plus I'm just getting over 3 days of stomach flu. I haven't even picked my game yet. :|

    I will make something happen, though...

  • K, picked my game.

  • Hey everybody, reminder that today is the last day to tell me what game you're going to bring. Right now we have 6 participants, including myself, a perfectly fine number but we could always use more.

  • Alright everybody, the Presentation Phase is now open! I encourage you to look through the rules one more time, and if you have any questions I'll be happy to answer them. You have until the end of the 15th to get your presentations in. See you then!

  • Please select 4K (even if you on 1080p display) to get good visual quality. Or better yet, download high-quality version from here:!AsxRquOgIVixgYxakyE3GnX_jYcx4Q?e=dXYHtt

    Youtube Video

  • Nice use of Golden Voice! ;-D

  • Hello again All! For this ceremony, I’m bringing a game I would have nominated last time, if it wasn’t for quirky timing. I’m nominating The Last of Us Part I, and specifically Part I via the PS5, because while I would have brought the original, this remodel had me delay bringing my fifth favorite game of all time for an opportunity to try the latest version. And with absolute certainty, this IS the definitive way to play what has become one of gaming’s instant classics.

    The Last of Us nowadays instantly evokes thoughts and opinions on the story and primarily Joel and Ellie whenever it gets discussed, so I’ll talk about both narrative and characters first before focusing on gameplay and graphics. To begin with the narrative, it’s difficult to bring up anything not previously discussed. How the prologue is meant to instantly grip you, introducing you to the dark and dour world through the loss of Sarah. How the journey of smuggling Ellie becomes less of a job for a hardened and closed-off man, and more of a new lease on life by finding a surrogate daughter. The themes of companionship through first Tess and ultimately Ellie constantly contrast to various types of relationships you encounter, from the isolationist and paranoid Bill, to the brothers of Henry and Sam, and even the greater community of Jackson, represented in Joel’s brother Tommy and his wife Maria.

    Even environmental storytelling is top-notch, excellently captured in the story of Ish, and the survivors who lived in the Sewer area outside Pittsburgh. The collectible notes you can find, the drawings by kids on the walls, communal spaces, and more do so much to demonstrate what life was like for this group, all without any real commentary or observation by Joel. That is, until you enter a side-room (entirely missable by the way), see several small corpses covered by a sheet, and a simple message, “They didn’t suffer.” The Last of Us is a commentary on what it takes to survive, and what one would sacrifice to hold onto their loved ones. To always find something to fight for. This is the first game I played where when credits began for the first time, I put down the controller and for DAYS, processed my emotions and how I interpreted what I had just went through.

    For a game to profoundly impact me in such a way is a testament to the true work of art that it is, but it IS a game after all, and having the mechanics tie into its storytelling and world is one of its strongest qualities. Priding itself on stealth being first and foremost, having to get through various locations by either sneaking or killing the humans or infected in your way is always tense. It’s always satisfying to clear an encounter without having been seen once, silently picking off an enemy at a time when they’re isolated and out-of-sight from others patrolling, whether you’re crouching silently behind them, or throwing a brick or bottle to lure them away. Much like the Arkham games’ Detective Vision, Listen Mode is a borderline OP mechanic allowing you to see silhouettes through walls and over a small distance, granting you the option of scouting and planning your strategy to navigate the dangers in front of and around you. That said, if you are discovered, the arsenal you acquire is solid, from a shotgun that packs a punch, a bow-and-arrow to silently provide a long-ranged option, a flamethrower to burn alive what’s trying to charge you while giving you some distance, and more, it always feels like every weapon at your disposal is viable and useful. Melee options also feel impactful like a two-by-four plank of wood, a pipe, and an axe to name a few. Combat is intense as each miss costs a critical bullet or the smack of being hit is detrimental. The gore is incredible and unapologetic, as examining the remains of your felled foe is grossly detailed.

    Your playstyle in how you overcome these moments is evident in the upgrade system, and with Part I bringing in the workbench animations from Part II, it's neat to see the permanent changes being applied to the weapons from all the scrap and tools you find scattered throughout. Even the crafting system is engaging, as it’s done in real-time, requiring you to ensure you’ve taken out all enemies, are in a non-combat area, or hidden really well as you create whatever you need, from a health kit to the dual-purpose Shivs. Do you stab the Clicker for an instant one-hit kill, or do you hold onto it in order to open different stuck doors throughout the adventure for a windfall of supplies, from ammo and scrap to resources and Supplements (the game’s way of unlocking/upgrading abilities such as increased Listen Mode distance and more potent healing). I LOVE the balance the system introduces, as resources like cloth, alcohol, duct-tape, and blades are few and far between, scarcer the higher the difficulty you play on.

    Yet, Part I’s greatest improvement is its graphical fidelity and hyper-focus on details otherwise unseen or thought of. The dense foliage of plants, trees, and overgrowth feel alive. Coupled with the gorgeous lighting of sunsets, fluorescent bulbs, and moonlight, the dynamic shadows and tones pop off the screen. The character models, with greater emphasis on things like wrinkles, individual hairs, veins in forearms and foreheads, and most strikingly, the small touches of tears or spittle demonstrate no aspect was left unconsidered.

    The Last of Us Part I is a remarkable achievement through games and is such a tour-de-force, the HBO Max show is nigh (which I’m waiting until it’s all out, then binge on a free trial), which many feel could potentially be the best adaptation of a game to date. Overall, the Last of Us is an excellent example of challenging you, not just in gameplay, but themes as well, making it a must to experience.

  • @ffff0

    Holy shit I never knew why somebody might use that tier, but this is such a good use of it. Nice one!

  • Greetings Easy Allies Community!

    For this Hall of Greats I have short presentation for a short masterpiece known as Portal.

    Developed and published by Valve, it was first released in a bundle known as The Orange Box and that was my first experience with Portal. It was a game that I knew very little about and it seemed out-of-place sitting there next to some of Valve's heavy hitters at the time. I realized after playing Portal, that it actually wasn't added to the bundle as some afterthought, because having a way to play this unique original puzzle game was the biggest reason to own The Orange Box.

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    Portal's gameplay alone makes it one the best games ever made. The Portal gun has the basic mechanics of creating portals which are used to traverse and manipulate the environment around you. It's simple to learn, but the challenge comes from discovering how to use these portals to solve each puzzle room as they increase in complexity as you progress through the game.

    The game rewards creativity and you feel like a genius when you piece everything together to solve some these mind-bending puzzles. Portal is constantly introducing new puzzle scenarios and executes on every new idea in the perfect amount of time without overstaying it's welcome.

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    Another of the game's greatest aspects is the atmosphere and story. You first wake up alone in an empty test chamber with some ambient sounds before getting interrupted by the mysterious voice of GLaDOS. From it's strong opening to it's thrilling confrontation at the end, the game conveys flawlessly what it wants you to feel at certain moments, as you slowly uncover the mystery of what is happening in Aperture Laboratories.

    What's impressive is that the game does all this without relying on cut-scenes. Instead it uses your own observations to learn more as you explore. It expertly weaves it's story together with the gameplay mechanics to create an experience that is paced to perfection.

    Portal is widely considered one of the greatest puzzle games of all-time. The winner of multiple GOTY awards in 2007, one of which was the Game Developers Choice Award GOTY. It was a great game for it's time and it still holds up today. That's why I believe Portal is a well-deserving Hall of Greats nominee for your voting consideration.

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  • Hello and welcome to my Hall of Greats presentation! On this occasion, the game I present to the Hall of Greats is rife with lunacy, serenading with resounding echoes of bamboozling ebullience, and possessing a strikingly whimsical 3D hand-drawn art style. This platformer is just one of those games you may find being towed on a wheel trolley and wearing a straitjacket because of how off-the-wall insane it is. My nomination is 2013’s Rayman: Legends.

    The first thought you may have screeching over your prefrontal cortexes, is how on earth can James nominate an Ubisoft game-he tends to flame his wooden torch alight just to scorch their library for how big, dumb and moronic most of their games are? The answer? Rayman: Legends arrived before the swathe of huge dumb open-world games, littered with banal fetch quests and tedious design choices. Oh, and this one is not an open-world, it’s only one of the greatest 2D platformers around. A stonking achievement like Rayman: Legends helps me bask in admirable remembrance at how Ubisoft has been responsible for some of the best videogames in the industry-and Rayman: Legends is without a doubt my favourite Ubisoft game.

    There’s no denying that it takes some serious cojones and intestinal fortitude to contend with the almighty Super Mario platformers, but Rayman: Legends steps up face-to-face with the moustached maestro’s finest, all the while blasting Black Betty BAM-BA-LAM into his earhole. The moxie it takes to design a game that polishes up its shoes and puts a boot up Mario’s platforming bum, is without a doubt worth paying attention to-and oh dayum is Rayman: Legends worth paying attention to!

    I don’t know what Ubisoft Montpellier employees sprinkled on their breakfast cereal in the morning, but my prediction is it’s something dusty and wondrously hallucinogenic. This may explain how excellently crafted every level is, how whacko the creature designs are, and how breezy and buttery the platforming is. Rayman: Legends is a staggeringly attractive and vivacious experience, an unstoppable tour of whimsy, sparkle and imagination that eclipses just about every game in the genre.


    The scintillatingly scrumptious rhythmic platforming is bonkers, revelling in a tempo befitting its raucous presentation. Jumping, bouncing and bounding along in a spiritedly effervescent way is gorgeously liberating in Legends. What wins day however, is the breakneck rush of Legends’ platforming challenges is what separates it from its competition. Whether it’s the thrills of the razor-sharp precision platforming, the epic obstacle-dodging, where structures collapse around you and threaten to tumble over on you, or you’re frantically slinging along desperately ziplining onto chains and escaping doom all the while a catchy beat accompanies your scramble for safety-Rayman: Legends is fully loaded with an onslaught of pristinely-coloured levels and an enrapturing gameplay core.

    One of the greatest pleasures Legends offers you comes in the form of blazingly frenetic sequences that marry the bread-and-butter platforming with a guitar-hero like rhythm-where the gameplay and the music work together in tandem to create outrageously exciting and adventurous levels.

    Returning from Rayman 2, Murfy is your trusty sidekick during your adventures. He’s useful when it comes to removing obstacles that impede your path-whether in the form of chopping rope for a tree trunk to fall acting as a bespoke path forward. Murfy also has the power of the coochy coo too, as he is able to tickle larger enemies until they giggle uncontrollably, letting their guard down in the process and opening up the chance for you to bop them into oblivion.

    On top of all the platforming greatness Legends provides, it might be one of the most generously rewarding platformers on top of being one of the very best as well. Not only do you get a horde of delightfully sadistic challenges on expertly dreamy and luscious levels, but by collecting caged teensies and lums-you can unlock additional levels, characters and challenges. Legends is a game that keeps on giving and giving, it’s delectably and luxuriously feeding players with joyous content-it’s a museum chockful of activity that has been curated marvellously.

    It’s hard to resist isn’t it? Ogling at Rayman: Legends is irresistible. Swimming in a joyous array of hues and a vibrant multitude of characterful art designs, Legends never stops assaulting your eyelids with sheer beauty. Even the dastardly enemy and creature designs are loaded with the quirky goofiness the game excels at as its alluring motif.

    Look above at this mischievous and bloated Mocking Bird for a second. Don’t you just feel the urge to sock it in the face? A chunky, airship-sized miscreant, the Mocking Bird is a flavourful example of how glorious the creature designs are in Rayman: Legends. The otherworldly aura inherent in these monstrosities is very strongly realized, complementing the outrageous weirdness and levity that punctuates Legends’ very identity.

    The soundtrack shares similarly eccentric vibes with a fluffy layer of relaxed chill at times. Some tunes contain breezy whistling, reflecting the effortlessly sublime gameplay, whilst many others boast a sumptuous cuisine of instrument to accompany the everchanging flow of the drama onscreen including ukuleles, kazoos and bagpipes. This is one heck of a videogame soundtrack, and just like Rayman: Legends itself, you won’t have heard a videogame soundtrack that has been as fantastically and cohesively designed to quite the same bonkers degree as you’ll find here.

    So why should you nominate Rayman: Legends for entry into the Hall of Greats? It’s a spectacular platformer that’s joyous and exhilarating to play. Legends never stops stuffing itself with outrageous whimsy, top-drawer level and creature designs, it constantly rewards players with new levels and rewards, never taking itself off the gas in its quest to surprise players, and it’s above all else- a monumental pleasure to play. How can anyone say no to a game that can threaten to bust Mario’s moustachioed chops with a superior platforming experience? If you don’t believe, go experience this stellar effort for yourself.

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  • Not only is Tony Hawk's Pro Skater 3 arguably the peak of a legendary series (likely in the top 5 greatest sports gaming franchises), it's one of the best ever conversions into a new generation of gaming.

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    Almost overnight (just 13 months after THPS 2), completely gone were the boxy/stiff characters, the empty levels, the dark lighting, the grungy textures, the thin sound design. If it wasn't for the core gameplay, you'd be hard pressed to recognize it as the same series.

    Skaters with real human proportions and butter smooth animations. Levels that feel like populated ecosystems with infinite draw distance. Eye-popping brightness and colours. Consistent 60 FPS enabling razor-sharp control at top speed. Cutscenes for the objectives. Ridiculous special moves that go beyond spins and flips, like holding the board in your teeth, pulling out a pizza box, or doing a sexy dance. And the single biggest addition to the gameplay of any THPS sequel....

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    THPS 2 added the manual to chain street tricks together, but the other half of skateboarding, vert tricks, was still isolated. But now, vert tricks could be chained to street tricks with the revert to build combos that could link almost any obstacle together.

    Aside from 60 FPS, the biggest visual leap that THPS 3 took was the level design. Stages were fully themed, with voiced NPCs and setpiece objectives that permanently altered the map when completed such as knocking over a vat of molten steel in a foundry or halting a Hollywood car chase with an earthquake. And the scale was a mindblowing increase, especially the full-scale, multi-story Airport with corridors extending far into the distance and a towering clear glass boarding atrium, and the final "bonus" level taking place on top of a cruise ship in the middle of the ocean, complete with lifeboats you can trick off of and a setpiece in a nautical museum that triggers grindable safety nets.

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    Stages also have a lot more going on in the sound department now, with a slew of ambience like distant traffic, industrial noises, wildlife, short circuiting wires, public address announcers, a car wash, and idling jetliners. The spaciousness the sound mixing adds is also a notable standout of the game's dynamite production values.

    And, of course, the soundtrack, which I feel is the only one in the series with NO filler. Even more downbeat tracks like Nextmen's "Amongst The Madness" and House of Pain's "I'm a Swing It" have memorable grooves. And the variety has expanded, with more hip-hop to balance out the signature punk, offbeat acts like Reverend Horton Heat and Mad Capsule Markets, real "name" acts like Ramones and Red Hot Chili Peppers, and a first step into classic rock with Motorhead.

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    Lastly, the create-a-park and create-a-skater features have been nicely streamlined, and both the number and quality of secret skaters have increased, with Darth Maul integrating his dual-bladed lightsaber into tricks, Kelly Slater riding around on a surfboard, and Wolverine just being impeccably realized. You can even unlock the development team!

  • Hey everybody, I didn't end up having enough time to make a video, so here is a quick written presentation. I don't have time to plan it out so it's definitely more stream-of-consciousness, so I hope it's alright. Anyway, here it is:

    When was the last time you bonded with your family over a video game? I don't mean your older brother or younger sister, I mean your family, everybody. I remember the last time for me personally. The year was 2006, and I was a kid. Shaun White had just won his first Olympic medal, Pluto had just been reclassified as a dwarf planet, and the Wii had just been released. And with it came a little game known as Wii Sports.

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    Wii Sports was nothing short of a revolution. A pack-in game for the Wii, it sold over 80 million copies, becoming a worldwide hit that achieved popularity with a large, expansive demographic of players. From children to grandparents, single moms to single-celled organisms, eveybody was playing this game. So what about it gave it this widespread appeal? I think it comes down to one key thing: simplicity.

    Wii Sports is a remarkably simple game. It consists of five sports, each one built to be as simple as possible whilst effectively utilizing the Wii's motion tech. The Sports are Tennis, Baseball, Boxing, Golf, and Bowling. Each sport feels distinctly different in how they play, and yet none of them are complicated.

    Tennis is an excellent example of the game's simplicity, as it completely eliminates the player's ability to walk around. The game will move you where you need to be, so the player focuses only on the speed of their hit and the direction they choose to hit. The elimination of movement means that it's accessible to everybody, and the result is a very fun, competitive game in which a ten year old is theoretically on the same playing field as a seasoned gamer. I'll never forget some of the hard-fought battles I had in this game, going against people who had never touched a game in their life and getting my ass kicked, all while beating seasoned gaming veterans. It puts everybody on the same level.

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    Baseball is focused on two main aspects of the sport: batting and pitching. Batting is all about timing. Much like regular baseball it's important to time your swing perfectly. Too early or too late and you're likely to have a foul ball or a pop fly, if not a strike. It's a blast figuring our your timing, and the satisfaction upon hitting a home run is like nothing else. Pitching is slightly more complicated, as you are able to determine which kind of pitch you use, while the speed of the pitch is determined by how fast you swing your arm forward. Pitching is just as fun as batting, and it's super satisfying striking out your friends or family.

    Boxing performs much like the Wii's Punch Out. You're able to perform straights, hooks, uppercuts, etc., whilst also having to block/dodge your opponent's punches. I loved this one. I remember having some intense battles with my cousins, so much so that my arms would be sore the next day. It was worth it.


    Bowling and Golf are probably the most complicated of the sports, easy to understand but difficult to master. They're both all about aim and speed. In bowling you have to try and line yourself up with the pins, and the more seasoned players will give it that extra spin when necessary. In golf you also have to worry what type of club you use, as well as wind speed, and you have to be careful not to put too much power into a hit so that it doesn't lose control in the air. They're both just as fun as the other games, just as accessible.

    Each sport is stripped down to its core elements, and as a result they're all blissfully fun, and perhaps more importantly they are easy to understand for a non-gamer audience. That's why it's a Great. I admit I haven't played this game in a long time, but it's ability to bring in swaths of people who had never touched a game before is incredible.

    I remember going to family parties and playing this game. I remember playing Tennis with my grandparents while my aunts and uncles watched with bated breath on the sidelines. I remember cheering when my dad beat his sister in baseball. I remember seeing a great uncle of mine -- a stern man I had rarely ever seen laugh -- spend five minutes lining up a shot in bowling and beaming with confidence when he secured a difficult spare. It's a game that truly and honestly brought people together. Brought my family together. That's a beautiful thing.

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    Wii Sports made gamers out of the world. It allowed older people, people who had previously looked at video games as foreign, connect with their younger relatives. It made video games a universal hobby, at least for a time. My 75 year old grandmother was able to talk to me about a video game, a video game that she was better than me at. That's a remarkably special thing. It's a game that served as a bonding experience for my family, and did so for thousands of other families. I can think of nothing greater than that.

  • Before cross-exam starts, could I nominate the Apex Legends presentation for a yellow card? While indeed a cool idea, I think the EZA crew would do the same if someone handed their script to Jones and said "you read it".

  • @oscillator Rule Presentation.4 states: "If you opt to do a 5 minute video, there are no restrictions on content". There are no other rules stating that we can't use external VO. We can add such rule in the future, but this time it should be allowed.

    Also, I think there's an important difference: Brandon was a participant of EZA's Hall of Greats but he is not of ours. I don't see how it's different from, for example, using someone else's gameplay in your presentation, which, I think, no one is against of.

    One more thing to say in my defense. Brandon's contribution is a single 15-minute recording session (and probably a couple of minutes to read the script before the recording). I've spent more than 50 hours working on this presentation. For that reason, I consider it my own creation, and I hope others will do the same.

  • @ffff0 said in The EZA Forum Hall of Greats (January 2023):

    Also, I think there's an important difference: Brandon was a participant of EZA's Hall of Greats but he is not of ours. I don't see how it's different from, for example, using someone else's gameplay in your presentation, which, I think, no one is against of.

    Within our sphere, he is a celebrity though. It feels somewhat 'shady backdoor deals' using "star power" to give your presentation a boost.

    I do note that it definitely isn't against any existing rules - a HoG yellow card is really just a sideways glance.

  • @oscillator I have to politely disagree. I think it's well within his right to use all of the tools that are available to him. If he has access to Jones then I think using him was a wonderful idea. It's a really fun way to polish a presentation, but it's not as though the use of Jones automatically means people will vote for the game. It still comes down to the content of the presentation, and all of the time he put into writing and editing it. The Jones thing is just a fun way of presenting it, and totally fair imo.

  • Also, thinking on it a little more deeply, such a move might not be as controversial to the EZA crew now, as Brandon isn't participating in HoG anymore.

    I'll downgrade my sideways glance to an eyebrow raise (reaching for the card, but just brushing the dust off it).

  • And just like that the Cross Examination phase is now open! I encourage you to look at the rules one more time before you ask your questions. Special reminder that everybody is able to ask a question, regardless of whether or not you submitted a presentation. You have until the end of the 22nd to ask/answer questions.

    This phase can be a little cluttered at first, so keep in mind that I will create an aggregation post as things get going. With all that said, ask away!

  • Before posting my questions to all (Fun and thoughtful presentations everyone!) I wanted to add my two cents regarding the use of Jones: I'm all for it, because it's @ffff0's words and capture. Personally speaking, I HATE the sound of my voice, so if I had the means, I would get a kick out of being able to utilize his talents, not just for our little version of HoG, but other avenues as well. I'm in complete support of anyone using Golden Voice to use for their presentations for all ceremonies moving forward.

    Not onto my questions (Which again, aggregating both questions per presenter into a single post):

    To @ffff0 for Apex Legends:

    You briefly touch on a variety of aspects in your presentation about the different mechanics and characters, but as someone who doesn’t play Apex, all I really know it as is a Battle Royale. So I want ask: Is the goal ONLY simply be the last player standing across its modes?

    I noticed throughout your presentation a lot of reference (verbally and visually) to being a part of a team of three different Legends, and it makes me wonder: For you, do you believe the balance in the game is equally tuned not just across playing solo and on a team, but between playing as different characters with their own unique abilities as well? Is there any advantages/disadvantages choosing to play as one character over another?

    To @Shoulderguy for Portal:

    Portal is one of my favorite games, but it does have a couple shortcomings (to me). The first: The knowledge of its solutions. What I mean is once you know how to solve the puzzles, you know it. I find I need to go YEARS between playing it to give me a chance to try and be challenged, but I still breeze through it because there’s nothing like that very first playthrough of discovery and problem solving. Do you feel it’s an Achilles’ Heel there’s a small, set amount of puzzles where, with a couple exceptions, the solutions are easy to redo once you know how to reach the exits?

    The other is its brevity. I appreciate Portal can be run through in about two to four hours, but at the same time, there’s a bit of a hollow feeling on replays when I fly through it. With only just less than 20 chambers and the linear inner workings of Aperture Science, I always feel like there needs to be more. Do you think Portal’s short playtime, while a positive in not being a major commitment, is ultimately a hindrance by providing very minimal replayability?

    To @JDINCINERATOR for Rayman Legends:

    Your presentation is quite overwhelming in the use of adjectives to describe the wackiness of your pick, so my first question is surrounding the gameplay. While you very briefly touch on a couple of aspects like a companion mechanic, it being a 2D platformer, and there being escape sequences, all the while tied to the beat of the game’s soundtrack, I want to ask: What makes it stand out from other platformers, or to put it another way, what does it do better or different from Mario, Donkey Kong, etc? You go out of your way to say it’s superior to Mario, but you don’t really flesh out HOW.

    This leads me to my second question. I’ve dabbled with 2D platformers here and there, but it’s not a genre I have too much experience with (proportionally speaking) to other types of games, so in the case of Rayman: Legends: How much freedom do you have? Is it a completely linear experience, always going from left to right along a set path of fixed levels, or does it have an overworld/world map where you can select level order/replay past levels?

    To @Oscillator for Tony Hawk’s Pro Skater 3:

    Reading through your presentation, I quickly got slightly overwhelmed with the highly technical terminology, and as someone who isn’t into skating, it’s a difficult task for me to become invested when I have no idea what “Vert” and “Street” tricks are. Do you feel THPS 3 is welcoming to newcomers who have no affiliation/knowledge of the shorthand lingo in learning how to play?

    Speaking of which, I didn’t really notice much in your presentation how it feels to play and whether or not it’s easier or conversely more difficult to “pick up and play” without prior knowledge. Regarding gameplay systems, what does THPS 3 do that polishes the experience from its predecessors and conversely, does the likes of its direct sequel and the remake of THPS 1+2 offer an easier barrier of entry from a gameplay standpoint that makes THPS 3 not stand up to them as much?

    To @Capnbobamous for Wii Sports:

    A large chunk of your presentation I agree with wholeheartedly being the greatest example of gaming breaking through to the mainstream and getting anyone, regardless of experience or skill level when it comes to playing video games, involved. However, as much as I may like Wii Sports, one of the big knocks on it is just that: It’s ONLY discussed in the aspect of its approachability. Do you think the games offered in the package stand out as individual experiences on a gameplay level to where they could exist/survive as their own, individually sold games, or do you believe they only work by being grouped together?

    While I never connected with Boxing or Golf, I have to say Tennis, Baseball, and Bowling were/are my jam. And even though I had fun with them at the time, I did grow tired of playing the same three games over and over. By the time Wii Sports Resort had come out, I had long lost access to a Wii, and from what I’ve heard Switch Sports suffers (among other things) from the basis of my question: Not enough offerings. In your opinion, do you think Wii Sports only having five games is a detriment, each being able to be finished within 15-20 minutes per session, or is having five games enough to not overwhelm those who, as you point out in your presentation, don’t play video games?

  • @brannox In response to Rayman: Legends questions:

    1.The way Rayman: Legends differentiates itself from other 2D platformers is in how crazy the tempo of the gameplay is and how phenomenal the varied environments are. Donkey Kong games and Mario 2D platformers are brilliant, but they aren't driven so much by the attractions and excitement of adventure, as they are with giving you progressively difficult platforming levels. You play a Mario or Donkey Kong game, you know you're in for a challenging ride, but when you play Rayman: Legends, you're in for a challenging ride that's also fast, furious, wonderfully eccentric and quite funny in places too. Rayman: Legends I think looks more luscious than many modern platformers as well, especially when it comes to enemy designs. It's a splendid thrillride that is also a huge jubilant platforming party.

    1. There is more to Rayman: Legends than the continuing jaunt from left to right. There are secret caves with teensies that have been held captive, and you have the opportunity of freeing them provided you can overcome a platforming puzzle. You definitely can go back through the levels. The layout of the menu is essentially an exquisite art gallery-this is where you can choose the stages and within those stages are the levels. There are also party games, co-op levels, as well as daily and weekly challenges. You can also play levels from Rayman: Origins too. It's a feature-stuffed experience and I find the navigation to be very splendid and cohesive with Legends' insatiable charms.